H. T. Wade-Gery, ‘A Note on the Origin of the Spartan Gymnopaidiai’, Class. Quart. 43, 1949, pp. 79-81.

F.W. Walbank, A Historical Commentary on Polybius I, Oxford 1957.

M.B. Walbank, ‘Regulations for an Athenian Festival’, Hesperia Suppl. 19, 1982, pp. 173-182 e 231.

C. Waldstein, The Argive Heraeum, vol. ii, Boston 1905.

P.W. Wallace, ‘Hesiod and the Valley of the Muses’, Gr. Rom. Byz. Stud. 15, 1974, pp. 6-24.

R.W. Wallace, ‘An early fifth-century Athenian revolution in aulos music’, Harvard Stud.Class. Phil., Cambridge-London, 2003, pp. 73-92.

C. Wallner, ‘M. Ulpius Heliodoros und T. Flavius Archibios. Beobachtungen zu ihren Ehreninschriften (IG iv 591; I. Napoli i, 51)’, Nikephoros 14, 2001, pp. 91-108.

P. Waltz-G. Soury-J. Irigoin-P. Laurens (édd.), Anthologie grecque, Première partie: Anthologie palatine viii (livre ix, épigr. 359-827), Paris 1974.

G. Waywell, ‘Sparta and its topography’, Bull. Inst. Class. Stud. 43, 1999, pp. 1-26.G

. B. Waywell-J. J. Wilkes-S. E. C. Walker, ‘The ancient theatre at Sparta’, in W. Cavanagh-S. E. C. Walker (edd.), Sparta in Laconia, London 1998, pp. 97-111.

R. Webb, ‘The nature and representation of competition in pantomime and mime’, L’organisation des spectacles dans le monde romain, K.-M. Coleman, J. Nelis-Clément (edd.), Genève 2011, pp. 221-260.

Euripides, Alcestis, a cura di L. Weber, Leipzig-Berlin 1930.L. Weber, ‘Die Alkestissage’, Rhein. Mus. 85, 1936, pp. 117-164.

T. B. L. Webster, ‘Alexandrian epigrams and the theatre’, Miscellanea di studi alessandrini in memoria di A. Rostagni, 1963, pp. 531-543.

T. B. L. Webster, The Greek Chorus, London 1970.F. Weege, Der Tanz in der Antike, Halle 1926.H. Weil, ‘Un Péan delphique à Dionysos’, Bull. Corresp. Hell. 19, 1895, pp. 343-418.

G. Weil, ‘Le péan delphique à Delphes (supplement)’, Bull. Corresp. Hell. 21, 1897, pp. 510-513.

H. Weil-Reinach, Plutarque. De la musique, Paris 1900.

I. Weiler, ‘Essere sempre il migliore: osservazioni critico-ideologiche su una nota espressione omerica’, in Bernardini 1988, pp. 3-29.

R. G. A. Weir, Roman Delphi and its Pythian games, Oxford 2004.F. Th. Welcker, ‘Inscriptio Spartana’, Bull. Inst. Corrisp. Archeol. 1844, pp. 145-152.

A. B. West, ‘Notes on Achaean prosopography and chronology’, Class. Phil. 23, 3, 1928, pp. 258-269.

M. L. West, Ancient Greek Music, Oxford 1992.Omero, Odissea, vol. I, libri I-IV, A. Heubeck, S. West (edd.), trad. G. A. Privitera, Milano 1981, 1993⁵.

M. L. West, La musica greca antica, trad. it M. De Giorgi, Lecce 2007 (Oxford 1992).R. Westphal, Die Musik des griechischen Altertums, Leipzig, 1883.

S. Wide, Lakonische Kulte, Leipzig 1893.U. von Wilamowitz-Moellendorf, Homerische Untersuchungen, Berlin 1884.

U. von Wilamowitz-Moellendorf, ‘Lesefruechte’, Hermes 37, 1902, pp. 302-314.

U. von Wilamowitz-Moellendorf, ‘Apollon’, Hermes 38, 1903, pp. 575-586.

U. Wilamowitz-Moellendorf, Timotheos: Die Perser, Leipzig 1903.

U. Von Wilamowitz-Moellendorff, Pindaros, Berlin 1966² (1922).

D. Wiles, Tragedy in Athens. Performance Space and Theatrical Meaning, Cambridge 1997.

A. Wilhelm, ‘Die penteterischen Feste der Athener’, Anz. Akad. Wien 1895, pp. 39-46 (= Kl. Schr. I 2, pp. 1-8).

A. Wilhelm, Neue Beiträge zur griechieschen Inschriftenkunde I, Wien 1911.

A. Wilhelm, ‘Zu griechischen Ehrenbeschlüssen und Briefen’, Jahreshefte 24, 1929, pp. 162-197.

A. Wilhelm, Attische Urkunden, Wien 1942.Eliano, Storie varie, N. Wilson (ed.), Milano 1996.

P. Wilson, The Greek Theatre and Festivals, Oxford 2007.R. P. Winnington-Ingram, ‘Kónnos, konnâs, Cheride e la professione di musico’, La musica in Grecia, B. Gentili, R. Pretagostini (edd.),Roma 1988, pp. 246-263.

A. Wolicki, ‘The Heralds and the Games in Archaic and Classical Greece’, Nikephoros 15, 2002, pp. 69-97.

M. Wörrle, Stadt und Feste im Kaiserzeitlichen Kleinasien, München 1988.

E. Wüst, s.v.‘Uranias’, in R.E. ix A 1, 1961, coll. 942-943.